- Japanese theatre is a living theatre
- Amazing
- Passed down traditions from generation to generation
- bunraku, noh theatre, etc...
- In what ways are these forms reactions to traditional theatre?
- Apply it to non-traditional forms
- training forms
- Mishima Yukio
- produced 13 noh plays, in a modern theatre setting
- Single Sex Plays
- Kabuki theatre only started off with women
- Transformed into prostitution
- Wasn't about the plays anymore, it was about the nudity
- 1470 full-fledged theatre
- 14th century prior - literature, dance, artforms
- recognition of theatre form in art
- all artforms became a part of theatre
- Characteristics
- text speaks itself - not ordinary dialogue
- fluid narrative stance - break the speeches up - not logical narrative story
- Aesthetics are key
- flexibility of time and space - time can be shifted to match the play - common sets used for symbolism - scenes are created with off-stage areas - Hanamichi ramp set runs into the audience
- centrality of form - movement, texts, costumes, music are not for pragmatic purposes - used for aesthetic purposes (as stated before in point 2) - Eg, old man traits are represented by taking the most beautiful aspects of old men and showing them
- Concealing of the tearful eye
- Bunraku - weekping puppets bite sleeves (shaking) to show crying
- Kakegi
- Recognition through widespread use - musical patterns
- The people Vary speed, timing, intensity, design, colour
- Mastery of form and training
- Question of interpretation - you have to go a long way before you can do this
- To rehearse at the very end - Kabuki
- Form diminishes interest in verisimilitude - The element or aspects of reality that you evoke through the actions of reality. - Eg, good sci-fi writers are good at verisimilitude (random things that are made)
- Intensity of intertexuality
- theatrical mechanics of theatre
- Originality Vs Traditional form
- Traditional japanese theatre is where fluid transitions between time space character...
- Traditional japanese theatre is presentational theatre vs representational theatre
Monday, 20 May 2013
Japanese Theatre NOtes
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